Description
Overview
The Fujifilm GFX 100 II is Fujifilm’s flagship medium format camera, featuring a 102MP large format CMOS II HS sensor (43.8 x 32.9mm – approximately 1.7x larger than full-frame) with X-Processor 5 . It delivers 8-stop in-body image stabilization, 8K/30p 4:2:2 10-bit internal ProRes recording, AI-based subject detection autofocus, and full-sensor-width 4K at up to 60p .
This is the complete kit including the GF 80mm f/1.7 R WR lens – the fastest autofocus lens in the GFX system, providing an impossibly shallow depth of field that full-frame cameras cannot replicate .
This unit is in 98% excellent condition – fully tested, minimal signs of use if any, works perfectly. Includes memory card, screen protector, cleaning kit, and carry bag.
Key Specifications (GFX 100 II)
| Feature | Specification |
|---|---|
| Sensor | 102MP medium format BSI CMOS (43.8 x 32.9mm) |
| Image Stabilization | 8-stop 5-axis IBIS |
| Video | 8K/30p, 4K/60p, internal 4:2:2 10-bit ProRes |
| Video Output | 12-bit 4:2:2 ProRes RAW / Blackmagic RAW over HDMI (up to 8K/30p) |
| Autofocus | AI subject detection (animals, birds, vehicles, etc.) |
| Viewfinder | 9.44M-dot EVF |
| Screen | 3.2-inch tilting touchscreen |
| Card Slots | 2x CFexpress Type B / 1x SD UHS-II |
| Weight | 1,030g (body only) |
GF 80mm f/1.7 R WR Lens Specifications
| Feature | Specification |
|---|---|
| Focal Length | 80mm (63mm full-frame equivalent) |
| Maximum Aperture | f/1.7 |
| Minimum Aperture | f/22 |
| Optical Design | 12 elements in 9 groups |
| Special Elements | 1 aspherical, 2 ED |
| Aperture Blades | 9 rounded blades |
| Weather Sealing | Dust and moisture-resistant |
| Filter Thread | 77mm |
| Weight | 795g |
What’s in the Box
Fujifilm GFX 100 II body (98% excellent)
GF 80mm f/1.7 R WR lens with caps and hood
NP-W235 battery
Battery charger
Shoulder strap
64GB memory card
Screen protector
Cleaning kit
Carry bag
Why This Camera – The Medium Format Advantage
The GFX 100 II exists for one reason: image quality that full-frame cannot match.
For Photographers:
102MP sensor – Massive detail for billboard-sized prints and extreme cropping
8-stop IBIS – Sharp handheld shots even with 100+ megapixels
GF 80mm f/1.7 – At f/1.7 on medium format, the depth of field is thinner than any full-frame f/1.2 lens
16-bit RAW – Unmatched gradation and color depth (14-bit on full-frame)
Pixel Shift Multi-Shot – Create 400MP composite images
For Videographers:
8K/30p internal – 4:2:2 10-bit ProRes, no external recorder needed
4K/60p full-sensor width – Uses the entire 102MP sensor
12-bit RAW over HDMI – ProRes RAW or Blackmagic RAW output
F-Log2 – 14+ stops dynamic range for professional grading
Heat-dissipating body – Extended recording without overheating
Optional cooling fan – For unlimited recording
GF 80mm f/1.7 R WR – The Portrait King
The 80mm f/1.7 is the fastest autofocus lens in the GFX system. On medium format, f/1.7 creates an exceptionally thin depth of field – the subject’s eye is in focus while the ear is already blurred. Backgrounds melt away entirely. For portrait and wedding photographers, this lens is the reason to buy into GFX.
Honest Note
The GFX 100 II is not for everyone. What you gain: unmatched image quality, 102MP resolution, 16-bit RAW, and the unique look of medium format. What you consider: file sizes are massive (100+ MB per RAW), storage and processing power requirements are high, the system is heavy for travel, and the autofocus is good but not Sony-level. This is a tool for professionals who need the absolute best for commercial, studio, landscape, or high-end wedding work.
Your kit is priced to move – at 5,799forbodyandlens,youareofferingacompletemediumformatsetupforapproximately1,500 below buying separately on the used market .
Who Should Buy This
Commercial and studio photographers needing 102MP for large prints
Wedding photographers wanting the GF 80mm f/1.7 look
Landscape photographers requiring maximum resolution and dynamic range
Fashion and beauty photographers
High-end portrait artists
Videographers needing internal 8K ProRes and RAW output.
















